https://publish.kne-publishing.com/index.php/jmehm <p>The&nbsp;<strong><em>Journal of Medical Ethics and History of Medicine</em></strong>&nbsp;is the official scientific publication of the&nbsp;<strong>Medical Ethics and History of Medicine of Tehran University of Medical Sciences.&nbsp;</strong>Physicians and health practitioners always deal with ethical issues in treatment and management of diseases. The advent of new biomedical technologies further complicated the moral and societal issues of medical research and practice. Religious and cultural differences more emphasize the need for nationalizing this knowledge. The&nbsp;<strong><em>Journal of Medical Ethics and History of Medicine (J Med Ethics Hist Med)&nbsp;</em></strong>is an opportunity for healthcare professionals as well as theologians, philosophers, and sociologists to present and discuss their ideas from several aspects in relation to medical ethics and bioethics. In addition this Journal traces its roots to several aspects of History of Medicine which further emphasizes on Iranian and Islamic era.</p> <p><strong data-stringify-type="bold">All the manuscripts should be submitted through the Journal Primary Website at <a href="https://jmehm.tums.ac.ir/index.php/jmehm/about/submissions">https://jmehm.tums.ac.ir/index.php/jmehm/about/submissions</a></strong></p> Tehran University of Medical Sciences en-US Journal of Medical Ethics and History of Medicine 2008-0387 https://publish.kne-publishing.com/index.php/jmehm/article/view/20634 <p>This study examines the collaboration between art and science in the history of modern anatomy education in Iran, particularly in the era following the establishment of Dār al-Funūn (1851). Using a historical-analytical approach and citation network analysis of primary sources, we trace the evolution of anatomical illustration from imitation of European texts to original creation. Our findings highlight the pivotal role of European physicians, such as Jakob Eduard Polak, in introducing modern anatomy and visual aids at Dār al-Funūn. We identify the publication of Kālbod-Shenāsi-ye Towṣifi (Descriptive Anatomy, 1944–1950 CE) as a key milestone, marking the first major physician-artist collaboration to produce original anatomical illustrations in Iran. However, the subsequent increase in reliance on foreign resources led to a decline in indigenous production, thereby representing a missed opportunity to preserve a unique scientific-artistic heritage in medical illustration in Iran. Ultimately, this trajectory reveals that, unlike the European Renaissance, where the mutual interest of physicians and artists in understanding human anatomy drove innovation, medical illustration in Iran was primarily propelled by physicians to meet educational needs.</p> Tannaz Bagheri Ali Mirjalili Hamidreza Namazi Copyright (c) 2025 Journal of Medical Ethics and History of Medicine 2025-12-25 2025-12-25 10.18502/jmehm.v18i20.20634